規(guī)范與創(chuàng)新英語作文范文
導語:創(chuàng)新是名族進步的不竭動力，是國家發(fā)展的長久推手，是世界繁榮的永世奇才。下面時候小編為大家整理的：創(chuàng)新的英語作文，希望對大家有所幫助,歡迎閱讀，僅供參考，更多相關的知識，請關注CNFLA學習網(wǎng)!
創(chuàng)新的英語作文
Poetry is the treasure of China. Driving the boat of a leaf boat, swaying in the great river of ancient culture, it is a kind of enjoyment. Is the so-called "eternal things, gain and loss feelings". In the world of poetry, some routine work and achievements of a literary legend; Someone make public individual character, more do not have general taste in the heart. I can't help but think, which one will be better?
Flat line poem, flat line poem, has long been a generation scholar, enthusiasm. Men and women joyous love, then must be "fair maiden, gentle and graceful gentleman's gentle"; Beauty beauty, nature is "having a value daughter, flowers have fragrance in Yin; Four seasons reincarnation, also cannot leave the "spring flowers autumn month, summer has a cool winter with snow"; Before midnight and enjoy the most is the "order cool moonlight like water, sit to see petunia vega". The compasses, but give a person with infinite aesthetic pleasure, left endless imagination. Literary giant du fu, every poem should be changed to the old lady can understand will stop in the village, it is this specification consciousness made him the name "patriotism". Visible, "specifications" 2 words for how important literary creation.
Rules to see many, unavoidably some tired in the heart, why the bamboo must be written as "neither bamboo JuanJuan static, cui sleeve disappears at independence"? Why spring scenery must be "pear flower pale white willow green, flower city" when lau sui fei is perfect? Is "deep courtyard", or "catkin pond", "cold dew chenshuang" should be written again and again? The wisdom of the ancients, had to find the answer for me.
With li bai in tang dynasty, everything changed. The imagination of his elegant and unconventional, wild and natural style, are shown to the world of his own innovation and distinctive personality. Since he drunk catch lightning jiangxin drowning, the poems were about to date. "Overnight at peak temple, raise hand to touch the stars, dare not loudly, afraid of tc here." With a naughty technique, fascinating. So still have that "a toast to invite the moon, the shadow into three." There is the "dapeng one day with the wind, soaring nine miles." "Son of heaven can't aboard, since is wine cents." Ask before li bai, who has so tone and drive? Only in this poem moderated hundred li bai. No wonder he would laugh at du fu, "don't be too thin to born? Only from the original poem." Ha ha, god is the god.
Song dynasty period, there are many innovative spirit, poets with rich imagination left countless works better for us. Face with the plum blossom, lu you sigh "where billions into body, a tree may previous weng." Jiangxin, su shi also laughed "since the new poems do the most good, little red low singing my flute." That sentence "the rain at the beginning of last night, Chinese flowering crabapple, number one light desire language" is li qingzhao to haitang unprecedented, after interpretation!
The late song dynasty, beautiful woman became a source of inspiration for people. That shining smile yan deeply, appearance appearance mei mei, let day with Jacob." "God's will and, blush eyebrow green"; The "powder capacity, thin eyebrow peak" is a charmed, cannot extricate oneself.
Visible, innovation consciousness is how important for literary creation. Scholars tend to add oneself imagination on the basis of the specification, then the swan song of the eternal. Specification is important, but I think, if there is no innovation, and probably won't have such schools of thought contend, the flowers, the splendid classical Chinese literature.
參考翻譯：
詩歌藝術乃國之瑰寶。駕一葉舴艋之舟，搖曳在古文化的泱泱長河之中，實在是一種享受。正所謂“文章千古事，得失寸心知”。在詩歌的世界中，有人循規(guī)蹈矩，成就一代文豪;有人張揚個性，更別有一般滋味在心頭。我不禁想，哪一種會更好呢?
平平仄仄，仄仄平平，歷來被一代代文人津津樂道，樂此不疲。男女歡愛，便一定是“淑女窈窕，君子謙謙”;美景良辰，自然是“春宵一刻值千金，花有清香月有陰”;四季輪回，也離不開“春有百花秋有月，夏有涼風冬有雪”;夜半賞月，大都是“階前月色涼如水，坐看牽牛織女星”。中規(guī)中矩，卻給人以無限的審美愉悅，留下了不盡的想象空間。文豪杜甫，每首詩都要改到村里老太太可以看懂才會罷休，正是這種規(guī)范意識才成就了他“詩圣”的美名。可見，“規(guī)范”二字對于文學創(chuàng)作多么重要。
條條框框看多了，心中不免有些厭倦，為什么竹子一定要寫為“天寒修竹娟娟靜，翠袖蒼茫獨立時”?為什么春景一定要有“梨花淡白柳深青，柳絮飛時花滿城”才算完美?難道“深深庭院”，“柳絮池塘”，“冷露晨霜”要被寫千遍萬遍?睿智的古人，早已為我找到答案。
唐代有了李白，一切都發(fā)生了變化。他那飄逸不落俗套的想象，豪放而不做作的詩風，都在向世人顯示著自己的創(chuàng)新意識和與眾不同的個性。自從他醉酒撈月溺死江心，其詩文便被人傳誦至今。“夜宿峰頂寺，舉手捫星辰，不敢高聲語，恐驚天上人。”用調(diào)皮的手法，引人入勝。如此還有那“舉杯邀明月，對影成三人。”有那“大鵬一日同風起，扶搖直上九萬里。”“天子呼來不上船，自稱臣是酒中仙。”試問李白之前，誰會有如此口氣與魄力?唯有這斗酒詩百篇的李白。難怪他會嘲笑杜甫，“借問別來太瘦生?只為從前作詩苦。”呵呵，詩仙就是詩仙。
宋朝時期，有創(chuàng)新精神的人多了起來，詩人們用豐富的想象力為我們留下了無數(shù)的名作佳篇。面對滿眼梅花，陸游感嘆“何方化作身千億，一樹梅前一放翁。”江心之上，蘇軾也笑道“自做新詞韻最姣，小紅低唱我吹簫。”那一句“昨夜海棠初著雨，數(shù)朵輕盈姣欲語”是李清照對海棠前無古人，后無來者的詮釋!
宋朝末期，美麗的女子成了人們靈感的來源。那一句句“笑妍深深，姿姿媚媚，雅各奇容天與。”“天意與，臉紅眉綠”;那“粉香容，淡眉峰”著實令人心馳神往，不能自拔。
可見，創(chuàng)新意識對于文學創(chuàng)作是多么重要。文人往往在規(guī)范的基礎上加上自己的想象，便成就了千古的絕唱。規(guī)范固然重要，但我認為，如果沒有了創(chuàng)新，很可能不會有如此百家爭鳴，百花齊放，絢爛多彩的中國古典文學。
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