精選的神曲的英語讀后
導語：神曲是一本著名的外國名著，他給我們講述了：最大的神人討論莫過于對于信仰和德行的討論，在這兩個討論中，而言語本身已經透露了西式語言本身的辯論意味。“信仰是所有事物之本質/也是未見的事物之證據……”。你也有很多自己的想法吧，那就把它記錄下來吧，那就把它編寫成英語范文吧，僅供參考，更多相關的知識，請關注CNFLA學習網的欄目!
神曲英語讀后感：
The divine comedy is a staple of western medieval literature, because of its old look very inexperienced and feeling. But read attentively, still can clearly feel the divine comedy in the mixture of chord melody of god.
Under such a conclusion, I secretly put my hilarity of the divine comedy back again, from "hell" to "net world" to "heaven", such a silent discoverers itself implies a theological thought. As we know, medieval Europe of Christianity in the world, however, is not only a Christian, is any one big long religion in the world, are always mapped the human incarnations repay the theology thought and reality, this is almost all humanity thought in common. Dante in the divine comedy, according to the bible and the Gospel and imagination of the self, to refine the religious thought into the three parts, and in each part carefully arranged some ancient celebrity or "contemporary" celebrity in the inside, not for Christianity promote the purpose of this kind of theology. In addition to this, this according to the present as the classification, classified by the man's head is in the middle ages religious prevalent in Europe, its credibility will increase greatly. Therefore, whether religious or the ordinary people of the middle ages, the church is impossible to have a reason to go to criticize the book even.
Furthermore, the author of this arrangement is the implied a "mistakes and can change, be not" means. As we all know, "hell" is the symbol of a person lead more than work, and the net world is a symbol of reactive power without, the "heaven", is the work is more than a point. Author rose from "hell" to the net world and up to the "heaven", completed a pass from to work, from sin to process. And the same, ordinary citizens, moreover is the whole country, if can make sense, this is by the grace of god. So the divine comedy seemingly criticizing fiorentina, but internally also implied author infinite enthusiasm and hope for fiorentina.
But, the creation of the divine comedy is not just for the sake of alluding to some religious problems in life, it is a deeper reason is to save the destruction of Florence. In different parts of the book, the author has a metaphor. In the fold "hell", for example, the author selected the soul of the face are very composition on from fiorentina, from staff to ordinary arrogant, greedy, color and so on are given different penalties. The author through the many soul of mouth says the present Florence's dark, also by the devil in hell evaluation is given. In the net world "and" heaven ", the author is by judge to Florence to rise to the level of a whole, by the man of god out of the mouths of euphemism. Which contains the author's deep feelings about self growth, the land of life. Read it, a "anger its true".
Above of the divine comedy from big aspects the effect of self understanding. In small ways, the divine comedy is a medieval grainy piece of epic. Can be seen everywhere in the divine comedy, the influence of ancient Greek mythology and Homer. Heroism, justice, theology of light shine on the whole the divine comedy, like Dante saw an angel of light in the heaven, the divine comedy itself is sending out the dazzling golden light. The golden rays of the divine comedy, however, not all praises for golden light and write, but to sing secular great moral and faith, this is the divine comedy and breakthrough of ancient Greek myths.
However, due to the divine comedy a large amount of use of the ancient Greek mythology allusion, and thus give a person a kind of obscure a first reading, the readers of the western literature language have larger demand.
A great poem, language is the important technique of expression. The divine comedy language a rational debate style of western literature and the very different and we are familiar with the language of Chinese poetry.
In the divine comedy, the greatest man of discussion is about the discussion of the faith and virtue, in both the discussion, the author USES a larger space to show the two problems, and debate speech itself has revealed western language itself.
"Faith is the essence of all things/is the evidence of things not seen......"
This kind of language with the Chinese pay attention to emotional how different is the language of poetry. Perhaps this is the difference between the western poetics and Oriental poetics.
參考翻譯：
《神曲》是西方中世紀文學的開山之作，因其年代久遠而顯得頗有生澀之感。但是專心讀下去，依然能夠清晰地感覺到《神曲》中交織的人神共鳴之曲。
下如此結論之前，我暗暗的把我剛釋卷的《神曲》回想一遍，從《地獄》到《凈界》再到《天堂》，默然發現者這種分法本身就隱含著一種神學的思想。我們知道，中世紀的歐洲的基督教的天下，然而不僅是基督教，就是世界上任何一個大的長久的宗教，都總會影射著人的前世今生以及現實報應這種神學思想，這已幾乎是全人類思想的共同點。但丁在《神曲》中，依據《圣經》和《福音書》以及自我的想象，把這種宗教思想細化成這三個部分，并且在每個部分都細心地安排了一些或是古代名人或是“當代”名人在里面，不無有為基督教宣揚這種神學思想的目的。再者，這種按現世作為分類，按人頭分類的做法在中世紀宗教盛行的歐洲，其可信度可就大大增加。因此，不管是宗教的教會亦或是中世紀的普通人民，都不可能有理由去發對甚至批判這部書。
再者，作者的`這種安排實則上隱含了一種“知錯能改，善莫大焉”的意味。我們都知道，《地獄》是一個人過大于功的象征，而《凈界》則是一個無功無過的象征，到了《天堂》，就是功大于過的意思了。作者本人從《地獄》升到《凈界》再升到《天堂》，完成了一個從過到功，從罪到德的過程。而相同的，普通市民，甚者是整個國家，如若能有所頓悟，這種上升也是在神的神恩之內的。所以《神曲》看似批判佛羅倫薩，實則在內部也隱含了作者對佛羅倫薩的無限熱忱和希望。
然則，《神曲》的創造并不僅僅是為了影射某些宗教人生的問題，它更深層次的原因是為挽救沉淪中的佛羅倫薩。作者在書中的不同部分對此都有隱喻。比如在《地獄》這折里，作者精心挑選的靈魂代言人很大成分上都是來自佛羅倫薩，從教職人員到普通的驕、貪、色等人員都給予了不同的懲罰。作者通過眾多靈魂的嘴道出了當世的佛羅倫薩的黑暗，也通過地獄中的魔鬼給出了評判。而在《凈界》和《天堂》里，作者則通過對佛羅倫薩的評判上升到一個整體的層面，通過神人之口委婉道出。這其中包含著作者對自我成長、生活的土地的深厚情感。讀之，大有“怒其不爭”的意味。
以上是從大的方面對《神曲》大意的一點自我見解。而從小的方面看，《神曲》誠然是一曲中世紀拙樸的史詩。在《神曲》里，隨處可見古希臘神話和《荷馬史詩》的影響。英雄主義、正義，神學的光芒照耀著整部《神曲》，猶如但丁在天堂中看到的天使的光芒，《神曲》本身也散發著耀眼的金光。然而，《神曲》的金光卻并不全為歌頌金光而寫，而是為了歌頌世俗偉大的道德和信仰而作，這正是《神曲》對古希臘神話的借鑒和突破之處。
然而，由于《神曲》大量地運用古希臘神話的典故，因而初讀給人一種晦澀難懂的感覺，對讀者的西方文學功底有較大的要求。
一部偉大的詩篇，語言是其重要的表現手法。《神曲》的語言一承西方文學的理性辯論的風格，而與我們熟悉的中國詩歌的語言截然不同。
在《神曲》中，最大的神人討論莫過于對于信仰和德行的討論，在這兩個討論中，作者用了較大的篇幅來表現這兩個問題，而言語本身已經透露了西式語言本身的辯論意味。
“信仰是所有事物之本質/也是未見的事物之證據……”
這種語言與中國注重情感是詩歌語言是多么的不同。也許這就是西方詩學與東方詩學的區別吧。
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